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Bonart 202 magazine is here!
Autumn/winter arrives with new features: issue 202 of the bonart magazine is now a reality and, once again, it is confirmed as an essential space to understand and follow the debates and practices of contemporary art. This edition consolidates the trajectory of the magazine with a proposal that combines rigor, a critical perspective and a desire for cultural dissemination, maintaining the balance between attention to emerging creators and recognition of established figures who have marked the history of art.
This new issue of bonart/malart offers a careful selection of articles, interviews and reports that give voice to both the artists and the institutions and projects that shape the current scene. The magazine, faithful to its founding spirit, claims the importance of art as a tool for thought and social transformation, opening windows to reflections that go beyond the work and that place the artistic fact in constant dialogue with education, memory and society.
Issue 202 features a cover signed by Santi Moix, with typography by Haltech, which introduces the monograph dedicated to Joan Miró. This journey allows us to rediscover the strength and validity of Miró's legacy, placing it in relation to new perspectives and contexts. In addition, the volume includes content dedicated to RCR Arquitectes, Tàpies, Cristina Iglesias at La Pedrera, as well as reflections on the intersection between art, education and culture, which place the publication at the heart of a plural and enriching debate.
Malart opens with L'ombra de Joan Crous, a proposal that acts as a common thread to delve into the most relevant exhibitions on the national scene. This part of the volume is enriched with texts that analyze exhibitions such as Cuixart: l'ephemeral i l'absolut and with a review of the actions that have celebrated the magazine's anniversary, thus consolidating its presence as a living and active platform within the cultural sector.
Bonart 1 of the international edition
One of the highlights of this season is the appearance of the first issue of the international edition of Bonart, after the initial issue 0, an initiative that aims to project the magazine's thinking and perspective beyond the local context. This editorial adventure was presented at the Bogotá Biennial, a stage that symbolizes the opening towards dialogue with Latin America and the world.
Three different covers mark this international edition: Beatriz González for Colombia; Maria Helena Vieira da Silva, with Composition , for Spain and Portugal; and César Martínez Silva with El cuerpo idealizado for Mexico. The aim is to build bridges between the artistic creation of Spain and America, building a transnational story that articulates diverse experiences and contexts.
The journey of this international issue begins with the text Constelaciones de paz: Miró, LATAM, Egipto y Vieira da Silva , signed by Ricard Planas Camps, which functions as an editorial and conceptual framework for a journey that culminates, once again, in the monograph dedicated to Joan Miró. A way of demonstrating that the universality of Miró's art remains intact, capable of dialogue with the tensions and hopes of the present.
