Visual Dialogues is the new exhibition at the Miguel Marcos Gallery after the summer. This show brings together eight voices that, from different techniques and generations, dialogue about matter, memory and image. It proposes a sensory and non-linear journey, where painting, drawing, photography and sculpture intertwine to open a series of questions. Each piece, in its uniqueness, creates bridges between absence and presence, past and present, inviting the viewer to explore the textures of personal and collective history, to discover what inhabits the corners of our memory and how, through art, matter is transformed into a symbol. The exhibition is not only a visual journey, but an invitation to a deep reflection on the relationship between the individual and their environment, between memory and creative gesture.
Cesc Abad, Maika Aversa, Alberto Barcia, Eduard Bigas, Covadonga Castro, Ángel Fernández, Renata Lezama and Rómulo Royo are the protagonists of Visual Dialogues at the Miguel Marcos Gallery, which opens on September 16. In this exhibition, the different artistic techniques become a lively and dynamic conversation that challenges the traditional boundaries of art.

The works presented are not only defined by the technique used, but also by their ability to challenge and awaken emotions. How is reality transformed when passing through the workshop? What links are woven between gesture, technique and story? These are questions that arise before each work exhibited with its own language, where a dialogue is established with the others, creating a space of convergence and contrasts where the infinite possibilities of artistic expression can be explored, inviting the viewer to feel part of a shared moment of reflection and emotion.
The selection highlights invisible affinities: symbolic landscapes that flirt between the dreamlike and the critical (Cesc Abad, Rómulo Royo); poetics of matter that transform residue into metaphor (Renata Lezama); the rhythm of drawing as a living archive (Àngel Fernández, Alberto Barcia); and a painting that oscillates between personal memory and the collective imagination (Eduard Bigas, Covadonga Castro). Malka Aversa, with her transition between different media, brings a sensitivity that underlines the processes of image construction, exploring the connections between form, meaning and representation.