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Exhibitions

María Isabel Rueda and Oscar Muñoz take over MAMBO

Narcisos secos, Oscar Muñoz, 1995-2009
María Isabel Rueda and Oscar Muñoz take over MAMBO

The Bogotá Museum of Modern Art (MAMBO) inaugurated its second exhibition cycle of the year with art between shadows, dreams, and memory. The Colombian museum transports viewers to explore the visible, but also the invisible, from the intimate to the collective. Four exhibitions and different disciplines create connections between image, memory, time, and sensorial experience.

The Oracle of the Night , by María Isabel Rueda, invokes specters, symbols, and oracular creatures in a dreamlike universe where reason merges with intuition. Infraleve , the first retrospective exhibition in three decades that MAMBO has dedicated to Oscar Muñoz, reflects on the fragility of images and memory through ephemeral materials such as breath, water, and dust.

For its part, Sequences. Sair García's image-montage fuses painting, film, and animation to explore how we narrate what we feel and remember. Finally, the group exhibition Labyrinths of Memory —in partnership with BIENALSUR—proposes an emotional cartography of memory as a contested, fragmented, and ever-moving territory.

  • Untitled, María Isabel Rueda, 2025

María Isabel Rueda exhibits The Oracle of the Night from June 26th to October 5th at the Carlos Rojas Gallery, curated by Eugenio Viola and Juaniko Moreno. Rueda constructs her work from the body, in which the visual and the relational create branches with the dreamlike, metaphysical, superstitious, and intuitive. Through her gaze, the viewer will be immersed in a world where the invisible takes shape and each work carries a coded message from the depths of the imagination.

Infraleve. Memory and Fragility in the Work of Oscar Muñoz is the exhibition on view from June 26th to October 5th at the Alejandro Obregón Gallery of the MAMBO Museum in Bogotá. This is the first retrospective exhibition dedicated to the Colombian artist at the museum in over thirty years. Considered one of the most influential figures in conceptual and multimedia art in Latin America, Muñoz displays in this exhibition a key selection of his recent and past work, articulated around the concept of the "infraleve," developed by Marcel Duchamp.

Oscar Muñoez's exhibition brings together thirty works spanning the last three decades of Muñoz's production, including emblematic, iconic, and previously unpublished works, such as Doomscroll, the rest is history, and Beltrán de este 2025, which opens up a new visual language for the artist to explore the saturation of images, the digital archive, and temporality.

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