The DART International Film and Art Festival arrives in Palma from February 5th to 26th with a program that combines discovery, thought, and emotion—three pillars that define its philosophy and perspective on contemporary art. This year, the Fundació Miró Mallorca hosts the festival, screening four documentaries that bring the creative processes, stories, and ideas shaping the current art scene closer to the public.
DART has established itself as an international documentary film festival dedicated to contemporary art, with the aim of bridging the gap between artistic creation and cinematic language. Each selected film offers an experience that goes beyond mere screening: it invites viewers to explore the creative universes of artists, movements, and institutions, revealing the sensibilities and thought processes that underpin their work. Balancing curatorial rigor with accessibility, DART becomes a meeting place for diverse disciplines, audiences, and perspectives, where cinema becomes a tool for reflecting on the present and understanding the role of art in a constantly evolving world.

In its 2026 edition, the festival expands its horizons by also being held in Mallorca, reinforcing its commitment to the dialogue between art and cinema in a particularly symbolic context, linked to the figure of Joan Miró and artistic experimentation.
The program kicks off on February 5 with Warhol–Vijande: More Than Guns, Knives, and Crosses , a documentary that invites viewers to delve into the creative universes of these two artists and how their works challenge the codes of visual culture. On February 12, Barbara Visser presents Alreadymade (2024), an exploration of the mechanisms of the readymade and the capacity of artworks to transform our perception of everyday objects.

On February 19, DART focuses on the social and political dimension of art with Radical Women , by Isabel De Luca and Isabel Nascimento, a tribute to women artists in avant-garde movements and a proposal that reinterprets art history from an inclusive and critical perspective. The February program culminates on February 26 with Beyond the Visible – Hilma af Klint , by Halina Dyrschka, a documentary that reveals the visionary depth of the Swedish artist and her influence on modern abstraction, offering viewers a sensory and reflective experience of spirituality and artistic innovation.
Each DART session thus becomes an opportunity to discover, question and connect with the ideas and processes that define contemporary art, consolidating the festival as an essential meeting point between cinema, creativity and critical thinking.
