Exhibitions
The MNAV renews its collection and opens new interpretations of Uruguayan art
Until July 12, the National Museum of Visual Arts in Uruguay's capital presents a renewed selection of works from its collection, in a museographic proposal that expands its usual route and unfolds especially in rooms 2 and 4. The initiative invites the public to discover lesser-known aspects of the permanent collection, placing pieces that have had little exhibition in recent years alongside emblematic works of the history of national art.
The exhibition offers a fresh perspective on Uruguay's artistic heritage through more than 150 works by draftsmen, painters, printmakers, sculptors, ceramists, tapestry artists, and other creators. The exhibition spans from academic works of the late 19th century to contemporary expressions, revealing the breadth and diversity of artistic languages that have shaped the country's visual production.
Miguel Ángel Pareja, Woman and Child, 1974.
One of the highlights of this new presentation is the significant increase in the presence of women within the exhibition. The participation of female artists has tripled compared to previous exhibitions of the collection, contributing new perspectives and fostering a broader and more inclusive understanding of the history of Uruguayan art.
The exhibition is structured around different thematic sections that allow visitors to recognize key moments and movements in the development of Uruguayan art. These include academic art, the innovative movements of the 20th century, planism, socially conscious art, explorations of materials and textiles, the School of the South, concrete geometry, the Madí movement, the Montevideo Printmaking Club, as well as various expressionist, surrealist, and contemporary trends.
In addition to the artworks, the exhibition incorporates testimonies and reflections from artists who accompany the journey. These voices provide context and sensitivity to each historical period, allowing for a deeper understanding of the ideas, concerns, and aesthetic pursuits that defined different moments in artistic creation in Uruguay.
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