Next Wednesday, December 3, bonart will create a new international journey that will take it to Mexico, where it will officially present issue 1 of the international edition of Bonart magazine. The event will take place in such an emblematic space as the Centro Cultural Casa del Tiempo, a point of reference for artistic and cultural dissemination in Mexico City.
This presentation represents a significant step in the external projection of the magazine, which continues to strengthen its commitment to internationalization and the establishment of bridges between creative scenes from different territories. The event will feature a group of prominent participants who will offer various perspectives on the magazine, contemporary creation and the cultural dialogue between Catalonia and Mexico. Ricard Planas, director of bonart, will speak to explain the meaning of this new editorial stage and the desire to consolidate a global perspective from the point of view of criticism and the dissemination of art.

Also participating will be Otto Cazares, philosopher, editor and artist, who will provide a reflection on the Mexican cultural context and its intersections with international artistic production; Llum Masot, cultural manager, who will highlight the importance of generating collaboration networks and shared projects; and César Martínez.
The presentation at the Casa del Tiempo is planned as a space for exchange and celebration, where the public and speakers will be able to discuss the challenges and opportunities of contemporary creation in an increasingly globalized context.
Bonart Internacional is a publication published in Catalonia that aims to promote and disseminate contemporary artistic activity, with a special focus on Latin America. During the presentation, the contents of the magazine will be presented and special emphasis will be placed on the author of the cover, artist César Martínez, to whom a monograph with text by curator Glòria Maldonado Ansó has been dedicated. The event will include a food-based performance.