Exhibitions
The dynamic fields of sensation at the Pedro Cera Gallery
Group exhibition of works by nine artists at the Pedro Cera gallery in Lisbon, inspired by Gilles Deleuze's concept of immanence, fusing work with dynamic fields of sensation, breaking free from physical limitations to become abstract bodies of intensity. On Immanence exhibits works by André Romão (1984), Basim Magdy (1977), Eberhard Havekost (1967), Gonçalo Preto (1991), Isabel Cordovil, Júlia Ventura (1952), Julião Sarmento (1984), Mónica Mays (1990) and Paloma Varga Weisz (1966).
On Immanence, 2025
The Lisbon gallery has curated an exhibition that channels a continuous interplay of forces seeking expression and offers a look at artists whose works become life forces, conduits and transmitters of desires that overlap and dissolve, shaped by the energy circulating within them.
On Immanence transports the eye to a sensorial space where communication is anchored in what becomes visible only within the realm of pure intention. Floating through dreamlike dimensions, the Pedro Cera Gallery exhibition maps invisible circulations in a landscape of abstraction, a territory where unconscious sensation thrives, free from containment. Here, vibrant plasticity and emotional sincerity intertwine to create a visual plane of dissonance, inscribed in bodies of limitless nature and origin, bearers of the desire for discourse and affirmation.
On Immanence, 2025
In the absence of linguistic attributes, what remains is energy in motion, silently pulsating while resisting erasure. This group exhibition, on view until September 6, follows Bruno Pacheco's O sol na cabeça.
